This girl was fantastic; she read us her work, and we were all floored. Amazed and eager to try our hand at this kind of creation. And we did, and it was wonderful.
I left the writing group feeling so buoyed by the amount of creativity that exists in the world; often, it comes before us when we're not even looking, and when it does, it takes us by the nape of the neck and tugs us into wakening. I've got to pay better attention.
I didn't study poetry in school, but on the timeline of my writing life, poetry came early (albeit the angst ridden, dramatic stuff of teenagers) and sometimes when I sit down to write, I realize that what I really feel like writing is a poem. But, I tell myself, that's not what you went to school for. That wasn't your 'focus'. So what? So I don't know how to do it? Bull.
Julia Cameron tells us that at bottom, we're all writers. We're all aiming to communicate; we're all constantly practicing the art of the word; we're all essentially seeking the best vessel for our story. The vessel is going to change depending on what we're needing to say, and that's okay. Pay attention. Let the story be carried the way it wants to be carried.
So for this Sunday in early May, the vessel of the Found Poem:
Bones
If the prophet came to my house, I'd show him the exposed pipes
in my basement.
'Bones,' he'd say, and we'd be in agreement,
the single understanding of structure a uniting force
for which I am grateful.
I'll abandon the prophet after one month,
and rake up a new journey,
my own chorus a silent but pregnant calling of blessings
thanksgivings
anointing the page with predawn feedings of the war that still
is asking to be fought.
Mine are battlefields of flowering weeds,
careful where you tread.
There are hidden mines
trick wires
snares as thin and sturdy
as fishing line
ready to catch you up.
Sparrow
The perfect farewell would not be a farewell at all.
I am meant to protect, take care, of what I know, and what I know
is you.
How to protect what is no longer around me?
We two, are victims of previous floods; a lot of our old trees are down,
and we mourn the sparrows that lived among them.
Once I told you this story.
On a Sunday, in the California summer, the cat caught a bird,
delivered her into the house
alive.
I spent an hour wondering at the fluttering,
the threshing, desperate, muffled
sound that filled the room
until I saw her, wing mangled,
behind the drape of curtain on the floor.
Gather her up with bare hands
and take her to the lilac bush, blooming.
Place her between the roots, a heady blossom
hanging low to shade her.
Then walk away. Do not stay.
Not our business how wild things die.
Theirs is an alter too big for us.
Thanks for reading.
Beth
I can totally appreciate the passion to poetry. I love the way metaphor, simplicity, depth, mystery and grace can exist together in this form. Poetry is so rooted in the wildness in words that is such a remarkable blessing. You might be interested in Annie Dillard's book of found poems, Mornings Like This.
ReplyDelete"Bones" and "Sparrow" complement each other so well that I read them at first as one poem. I love "Not our business how wild things die. / Theirs is an alter too big for us." It works because of how you led me there, my desire to protect. As Shakespeare says: the protection is here in these lines to time ("Shall I compare thee to a summer's day?"). And I love "and rake up a new journey . . ." extending the metaphor of the garden as war zone with internal structure that captures . . . as the bird captures your care. Thank you for this Blog I found because of "The Third Sunday Blog Carnival."
ReplyDeleteThank you, Susan! I am so happy to be a part of "The Third Sunday Blog Carnival"--getting my work out there, in some way, feels promising. I enjoyed looking through your two blogs! I like how you mention that writing your blogs is part 'commitment to boldness' in your profile. Yes. I'm looking forward to reading more of your posts/poems/thoughts.
DeleteBeth